You are currently browsing all posts tagged with 'writing'.

I had a garden …

  • Posted on February 3, 2013 at 1:37 pm

The grass is growing. My grass.
My green grass is growing and
my feet shall not feel it when it is

dew-cold to be felt on the soles
of my feet with the sun, as only
early morning birdsong sung

can be felt with the soul, smelled
with the soil and the dew on the grass,
on my grass where my feet shall not

press their soles in belonging to the
ground, to my ground. Growing
in another spring under a sun

that still warms, where birds sing,
and where I am now forbidden, with
memories of grass, of dew, and that

sense of being as the grass, as the
ground with its cool earthy heart,
as the birds, of belonging to sky.

I had a garden, and the grass I mowed,
weeded, nurtured, sprawled upon,
no longer knows my morning feet

or how I needed it for more than
the tickle between my toes or the
sense of nature for an urban child.

The grass is growing now. I do not lie
to gaze at birds against the sun and
feel both free and grounded, or rise

because in fact it is hard and bumpy and
as uncomfortable as it is real. Instead
my wide window gathers sun, far above

a small lake, with fish, with trees and
with grass that I and a hundred dwellers
should not walk on, or feel the dew.

Gulls circle, willows weave the wind,
the water stirs with fins and a postman
draws the path. The unfelt grass is growing.

 

2013 © Andie Davidson

Live poetry

  • Posted on January 18, 2013 at 11:07 pm

Red Roaster: Brighton and Hove Stanza of the Poetry SocietyLast night was wonderful hassle. Leaving work early to get home so I could get something to eat before going out to Brighton. I wasn’t feeling too well, rather wobbly in fact, but determined, and couldn’t decide if soup would keep me going or the final spag bol decision would finish me off. Then parking near enough to walk to the Red Roaster without getting frozen on the way back. Gawping at what I had forgotten about Brighton parking: you need 6 pound coins if you want to stay even slightly over one hour, and it was 6:50pm until free parking at 8. I risked it, hoping some jobsworth wasn’t taking delight in a last patrol at 7:55. I’m sure I wasn’t looking my best either.

But once there and warming up, and talking with friends from the Brighton and Hove Stanza of the Poetry Society, I was at home. That was except when I was feeling faint and hoping I wouldn’t embarrass myself by keeling over. I actually relish the opportunity to read my poetry. You can only read it one way, so you lose the neat, deliberate ambiguity of the written word (‘peeling is a tearing … all lies in pieces after tears’ – Cooking with onions; ‘With intent I listen/ there is no rhythm in the rain’ – Intent is an image under canvas). The compensation is that you show how it feels and runs.

What a lovely evening; consistent but very varied poetry, all to a really high standard, and very individual. All as worthy of publication as the big names, in my opinion. But what touched me most was the number of people who made a point of coming to me to say how much, or why, they had enjoyed my pieces. Yes, I had been open in explaining the origin of some of my work in being transsexual. I’d rather people heard the words than spent time trying to work out my gender, and it is the heartbeat of much of what I write, even when it isn’t explicit. So to learn that I had evoked deep feelings of childbirth in a mum of two, felt almost an honour. There’s something quite moving about your words reaching some deep place in another, not because you’ve thrust your words on them, but because someone has just received them and taken them in, where they have resonated. That’s much more of a meeting than a handshake and hello.

Writing for me is an imperative, even though I do it all day as a job too. Cooking with onions was a line in my head ten days ago, when I woke up one morning, and evolved in my mind on the journey to work, where I captured enough on paper to remind me later, and the allusions multiplied. That’s how it is, and somehow it really works.

Here are the poems I read, in case you were there and want to read them again, or missed them:

I hope you like them.

For your hand

  • Posted on January 18, 2013 at 10:21 pm

I have deep veins –
pure white, crystal veins
held in a hardness
that was mud, that is stone.

I have been grains –
crushed in dark fire
melted in vastness
made layers, made folds.

I am refined –
yet broken again
ground from a roughness
by oceans, by cold.

I have returned –
a fragment, a stone
somehow a wholeness
a new thing, an old.

I am defined –
through all I have lost
shaped into roundness
for your hand, for your hold.

 

2012 © Andie Davidson

Intent

  • Posted on December 30, 2012 at 6:51 pm

Of rain, relentless
memories drumming on my taut skin
running in gurgling rivulets, seeking
deep subterranean places
dark water, far beneath my groundsheet.

A turf-torn guy-rope
relic of a stormy past wound on itself,
spent, forgot, coiled without tension
white as a stripped nerve.

With intent I listen
there is no rhythm in the rain, no
reason or cónfine. I am choosing
storm-surviving, to hear my skin
streaming, streaming, streaming.

 

2012 © Andie Davidson

The price of simple things

  • Posted on December 15, 2012 at 10:57 am

However delicate this filigree
this silver, iron or gold –

however fine and beautiful this glass,
its colours making sunlight speak –

however fleet and bright this flute
edging silver in sibilant song –

you shall not see or feel the fire,
the furnace finding them from stone.

Their faces and voices all felt fair,
warm in a way their cold touch cannot tell

set from white heat, bled to life,
beaten, drawn and mastered

into taut treasures that tell
stories, songs and longings

of long, long ago. Ore and wonder
as old as their ancestral home.

Trauma and high energy are
the price of simple things

the rocks that make our hills,
crumbled, melted into light.

 

2011 © Andie Davidson