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Content

  • Posted on October 27, 2012 at 5:06 pm

It just occurred to me since I completed rearranging all that emerged from cardboard boxes, that there is significance in what came with me here, what did not, and how I arranged it. The one piece of furniture left in this place was a shelf unit with glazed sections. Not my cup of tea quite, I thought. I have no family silver, trophies or cut glass to be illuminated from above, through the glass shelves with an air of prestige. Then I started to put things together that I had brought. What deserved display, to be seen, even picked up…

Happiness

  • Posted on September 30, 2012 at 8:09 am

Last Friday evening I spent a lovely time with Laura Newman, whose new book A Love Less Ordinary will very soon be published with Bramley Press. It was the first time we met, after numerous emails getting the book arranged, designed and processed, and was a wonderful getting-to-know. But perhaps what I shall remember most is that once more, someone who didn’t begin this journey with me, who sees it from the outside, sees someone very positive and very happy, who has turned their life around in what is really a very short time. For me, it has been intense at times, as scary as a narrow bridge over a canyon, without the other side in sight. And it seems like ages. It was very affirming to meet Laura, and I am looking forward to meeting her and Nicci before too long.

Yesterday I went for my monthly back-rescue. Deep tissue massage includes elbows! It isn’t fun exactly, and I probably undid a lot of good by playing the trumpet all afternoon and evening. I can’t remember how many years I’ve been going, but it is a special relationship when you repeatedly allow someone to do that to you – and still feel grateful! It is also the one place where I have taken my changes, to be seen and talked over, and found complete acceptance as I’ve explained myself a little more each time. Of course, as so often, I’m not the only trans person she has known, but I could also have been met with a certain distance and caution, and I wasn’t. The reason I mention yesterday is that somehow we just fell into talking as two women together, and I no longer felt ‘trans’.

It’s been like that recently – falling onto conversation as a woman with another woman, almost as if they haven’t noticed, or if they do it counts for nothing. And I realised, as I joined the orchestra later for the rest of the day, that this was another first, in playing for them as a woman. It’s an ad hoc orchestra, and many people do know me, but not all. By now, when these firsts happen, I don’t really think about it, because it is actually quite difficult to remember how I used to be. It is so far removed, that the nice man on the trumpet is like someone else I vaguely used to remember. I remember concerts I played, because it was me alright, and it was fun, but it’s the me bit, not the presentation of self, that I recall. All sorts of people I don’t know came up to me afterwards to complement my playing, so I know that being the slightly-different-looking woman simply doesn’t get in the way any more.

So in a way this is a point of arrival, like when you are on board and the ship is under way. There is a separation, an excitement, all the big efforts to get here now taken over by a vessel with a purpose and a known destination.

And all this in the same weekend as I prepared finally to leave the person I have loved most for so very long, and still do. So why have I titled this blog ‘Happiness’?

All these touches of knowing self, of being recognised at last being as I should always have been, of a sense of the deepest integrity, of falling completely into place, leave me feeling more happy with myself, in my deepest sense of self, than I have ever been my whole life. It is very hard to express, or find adequate words, because unless you have been there, it’s as if the words don’t exist. It is a happiness so powerful that nothing is strong enough to put me back anywhere else. I face years of frustration getting my body properly adjusted, and every day it feels more and more inappropriate in certain respects. As my breasts begin to develop it feels like the restoration of a missing part of me. Like when a valuable jar has stood for many years and been admired, then finally the original lid turns up and is reunited.

This is just so completely right.

Losing love simply tears me apart, but at the same time I know this happiness. Such an irony; back to the paradoxes in many of my blog posts. But how can I explain?

I wanted to write this for all those trans* people in a similar position, for whom it is so incredibly hard to arrive at self because of the associated loss. For all those people who, unlike Nicci with her Laura and their love less ordinary, must lose love, lose family, and go alone. I want to say that the happiness of finding your self, maybe finding your soul, really does outweigh all else, and that it is yours, if you want it. Nothing in this world is worth hanging onto if it keeps you from this kind of happiness, and you will find the resources to see you through the worst of the loss, the most difficult of times, the feelings of distrust or hatred from a few, and the insecurity of a place you’ve never been before. You will find true friends, you will find acceptance and understanding, and you can hope, with me, that you will find love that is as deep and as shared and as committed as you will ever need.

And in case anyone accuses you of selfishness, look back on my earlier musings: Selfish. Self(ish). Self.

Friendship: welcome to the world of women

  • Posted on September 8, 2012 at 7:44 am

This is what a friend said to me recently. The context was friendships. She also said ‘the men don’t know what they’re missing!’ This is a time when I am realising that things really are different. The pressure is off relationships meaning too much, or suggesting the wrong things simply by being close. Maybe it’s a lot to do with the anti-androgens, but it is blessed relief in some ways, because depths to friendship are safe and unambiguous. The way I can relate to, talk to, share with other women, is one of the best supports that I have right now, and I really value it.

Today I shall view a couple of flats, looking for an affordable place to rent that will provide enough space and light to make a new start. I never had to think of that before. Every place I’ve viewed to buy for 30 years, seven times, has been a shared decision, a balance of preferences and vision of making a place home. They were never new starts, just mostly little steps up the property ladder. This one is down; quite a long way down! But it has made me reflect, prepare and adjust. What am I doing?

If I was a man leaving his wife, the conversations would be very different. But then men don’t do that much, unless one he or she is having an affair, or is being violent in some way. There has to be a big reason, otherwise food on the table and a free laundry service outweigh the benefits of really discovering themselves. Maybe that’s a bit unfair, but I think I have some inside track on this one!

I feel much more like a wife leaving: because the relationship is no longer doing what it should, and it is compromising my sense of self. Not my independence, not freedom to have an affair without guilt, not even an imbalance of contribution really. No, I am going with confidence that I can live my life better on my own and see where that leads me. I was here to be loved and to love, to give as much as to receive, and the transactions are now very limited. Have you ever been in an anechoic chamber? Maybe at least you’ve seen pictures of rooms without windows, completely lined with thousands of grey foam pyramids or cones. They are places where there must be no resonance, no echoes or reflections, so that the one source of sound can be isolated with clarity. It’s a bit like that. I am not in a silent place, but even my own sounds of love have stopped bouncing back. Sensory deprivation is a frighteningly uncomfortable experience.

I am leaving for somewhere probably quite small, and I try not to think of it too much as I run up and down stairs or out into the garden. But it will be a place where friends will come and that will echo again with the happiness of free association. Was writing that last phrase a Freudian slip? Wikipedia describes the purpose of free association as: ‘… not to unearth specific answers or memories, but to instigate a journey of co-discovery which can enhance the patient’s integration of thought, feeling, agency, and selfhood.’ Sounds about right to me.

I also feel that reverting-to-type thing coming on. If I was the husband leaving, I would recreate a bachelor pad, take the hurt out by eradicating feminine memories, show my blokeishness as a marker of availability. But no, my reversion-to-type has brought a wonderful realisation that I can have a really pretty bedroom for the first time, and things on my shelves that are a bit more girly than I would have had otherwise. A kind of femininity that is perhaps better expressed on its own, rather than competing in some way. My new space will resonate with my gender for the first time in my life.

And I may build furniture. I will know how to mend things, and fix a dripping tap; I will understand the fabric of my space as well as the spirit of it. I will worry as much about where to store my toolboxes as my cosmetics, and there will be growing redundancy from living in a maintained place where I don’t have to worry about the roof. It feels kind of wholesome when I think of it like that.

And it will be a space where all my girl friends will feel welcome, where ‘would you like to come in for a coffee?’ will have no overtones, and where stories will be told, and tears shed, and deeper friendships will evolve. It will be a space where I shall at times feel incredibly lonely, but nevertheless safe in my independence with friends. I’ve been welcomed into the world of women, to learn how women can be treated, spoken to, sometimes disregarded, become aware of a certain concession given by men, and learn new friendships that are protective, more mutual, more understanding. Welcome to the world of women.

The men don’t know what they’re missing. I am a woman who is moving on, not moving out.

Postscript: as I posted this entry and tagged it up for the search engines, I looked at the cloud of tags I’ve used so far, and realised I was having to add new ones, and that I was leaving some big ones behind. I hope this is a good sign! The friendship tag I think will be used a lot more.

Arty, stuck and artistic

  • Posted on May 6, 2012 at 3:23 pm

Original art by Aaron Holmes

Art, and reality, are beyond mere inspiration.

Brighton Festival in May includes the rich diversity of a month of Open Houses, when local artists and crafters somehow manage to lose furniture, personal treasures and general clutter into spare (or not) rooms, and present some wonderful collections of original art, jewelery, photography, sculpture and other crafts in more clear space than I seem to have. And there are so many of them! I could never dream of touring all that is on offer, and yes, it is tiring as well as inspiring. You can get art overload, however much you appreciate it. And I really like being able to talk with the artists. I’m always intrigued as to who is making a living, who is ticking along in spare time, and how they find their lives as artists. But also I like talking about what inspires them, why they do what they do, and how it drives them. I like understanding the link between inspiration and skill, deliberation and accident, and reflect on the similarity with wordsmithing.

I’ve often said, ‘put me in a studio with lots of gear and just leave me, and I’d think of something new to create every day’. I just feel such enormous creative drive, but I also know I would never survive as an artist. I see all this brilliant work in the Open Houses, the product of training and years of experience, and there is so much, it has too few places to go. I see stacks of canvasses that will go nowhere, and yes, a few successful artists who are going somehwere.

I’d like to contrast two artists we visited yesterday.

The first worked entirely by inspiration and accident. He was surrounded by canvases that had been there quite a long time, accumulating on a grand scale, leaving very little living space. There were some very happy accidents of light, I have to say, but I might have been tempted to treat the canvases as I would a photograph, and severely crop them! He reminded me of inspirational poets who will not rework their lines lest they become somehow humanised instead of divine! In fact he deliberately blanked all thought out as he worked, and so, as far as I could see, he wasn’t really learning at all. Someone asked a price for a smaller example of the canvases he wasn’t selling, and it was so inflated I knew it would still be there if I came back next year. But he was happy, so who am I to say?

The second artist was young, and similarly untrained. His house was impeccable, the presentation was professional, the lighting perfect and his orderly canvasses were amazing. They too were full of accidents, but deliberate – or at least guided – ones. He worked in layers, with some idea of how the end result might turn out. A large canvas, he said, took up to six weeks, working flat, very wet and using an airbrush to blow the paint around. His prices were similar to the first artist, but he was living from it, selling enough, and was every bit as inspired – but learning, constantly moving on. His theme last year was completely different, next will be different again. You can gaze into his paintings, just as abstract as the first artist, but perfectly controlled, and really get lost. Being in a position of both not earning and not having wall space, there was no way we could afford one of these magnificent scapes. But no way either I could walk out empty handed, so parting with more money than I should afford, comparing prices with a wig, a therapy session, a hairdresser bill, I bought my wife a small, mounted original – because its value for future reflection and enjoyment was worth more than the money in the bank.

We don’t really buy art, for all the above reasons, but we have pieces by three artists now, and in each case, following studio conversations with the artists. The pictures remind me of those exchanges and those studios, as much as being beautiful objects in their own right.

The first artist yesterday, I felt was really stuck. He thought he was free by emptying his mind and ‘letting it happen’, but in fact he looked very encumbered by the unsaleable products. The second was really working hard, thinking about everything he was doing, and it gave him his freedom. The reason he had far fewer canvasses (and so much more light and space) was that each piece had much more value, and so he produced less and sold more.

So I’m back to writing (it takes less space behind the sofa too, and dries remarkably quickly), and dreaming of freedom of expression with control and deliberation. We make our own reality (yes, I like to go along with that) and learning by watching and appreciating what comes out, makes it much more valuable. This year’s trip around Open Houses was my first revealing my authentic personal canvas, far less stuck, still arty and with much more artistic value than last year.

This is the hand

  • Posted on April 23, 2012 at 10:51 pm
This poem is reflecting continuity and change, versatility and curiosity, selfhood and identity. Hands that reach out can be held or let go. Our hands are the stories of our lives … This is a Brief History of Mine.

This is the hand
that curled around the enormity
of a finger outstretched in wonder
at my tiny, perfect, nails.

This is the hand
that pointed to nipples in the bath
asking: ‘mummy what are these for?’
no – not for anything.

This is the hand
that stool-high stirred a cake, that sat
gritty, dirty, mixing cement for a wall –
distinguishing neither.

This is the hand
that learned the pen, figure and script,
to describe, shooting high: ‘I know, miss!’
too often to answer.

This is the hand
that dressed a paper doll and made a dart,
that sprayed the scent and built with bricks
high enough to fall.

This is the hand
that curled around my enormity
not knowing what it was for or why,
and was afraid.

This is the hand
that wrote songs, found what it was
to touch another, know resonance,
strike a chord.

This is the hand
that painted pictures with film,
with brush, and the brush of filmy
sensuous things.

This is the hand
that built from wood, that sewed, sawed
ironed, mended with iron – and delved
the stinking drain.

This is the hand
that held a bucket of blood – loved, willed
that everything would be alright again,
but limp with fear.

This is the hand
that held the finger of the boy
as long as my forearm, in wonder
at his tiny perfect nails.

This is the hand
that made cakes into cars and, blackened
with grease, made cars go a little longer
earnings eased.

This is the hand
that every day turned mind into money
and money into memories, memories
into bonds.

This is the hand
that gave you your first orgasm,
breaking out of my closing preserve,
ending its cheat.

This is the hand
instrument of the heart, that curls now
around this new enormity, outstretched
and is empty.

This is the hand
that stirred, that moved, that made –
that unnamed, but always female, has
become inappropriate.

This is the hand.
Discovered.
That waves.
That drowns.

2012 © Andie Davidson