You are currently browsing all posts tagged with 'poetry'.

First Fathers’ Day

  • Posted on June 17, 2012 at 7:58 am
This poem celebrates those who find a way to be both trans* and a parent. It is based on something I heard last year, which was lovely. This year is my first such day, and I hope one day I might read it as my own.

I couldn’t find a card
so I drew this flower instead
and wondered if we should
switch to Mothers’ Day.

No. You’re Dad, this is yours and
I never knew your breasts.
Which I still can’t understand
but I do like your dress.

Shall we go out then?
It’s your day, not any day
and I still love you and nothing
changes me from daughter.

Let’s just remember I’m your girl.
Let’s play Daughter’s Day to celebrate
the one who fathered, nurtured, cared
and loved me into who I am.

That’s what we are.
What we always shall be.
Here, I bought you this necklace.
It’s very pretty, don’t you think?

2012 © Andie Davidson

See also:

Wild strawberries

  • Posted on May 25, 2012 at 8:22 am

wild strawberries
the size of a treat
for a hedge mouse
whose scampering feet
and tiny twitter and whistle
drew enquiring ears and
eager eyes between the leaves.

The wonder of a small world
so different from the miles
in our heavy feet each day.
A new experience of here and there
of running with seeds –
and wild strawberries.

2011 © Andie Davidson

The long and the short of love

  • Posted on May 23, 2012 at 5:01 pm

Love is a long word
made light as like,
and weighty as the world.

It is a four-letter word
illicit as you like,
if spoken as stolen or sold.

Unconditionally rare,
short and light
as a hook on a lifeline.

Long as a memory,
like a surprise
it is never – expected.

Light as the web that it is,
catching tears
like mist in a lonely hour.

Powerful as death
and long as life,
shortened to nothing by … but.

That’s why your love
is what you mean –
and can never be asked for.

2012 © Andie Davidson

 

See also: Food for love

Eostre, I am at one with you

  • Posted on April 6, 2012 at 2:00 pm
Beginning transitioning at Easter seemed symbolic. But which Easter? Lots of allusions to both Easters here, and I felt much more at home in the Easter of the originating name, where nothing of me dies, yet I come to new life. No disrespect to the religious intended, and a certain positive playfulness.

Easter, as old as the realisation of Spring –
that the sun never dies, that ground revives and

March hares box into an Osterhase that bounds
into daffodils, juggling expertly with eggs

boxed, around chocolate indulgences for sins
half-remembered by a half-forgotten Lent –

borrowed Easter symbols for a dying rising Christ
all named for the goddess of fertility and the dawn.

With a passion Eostre calls, new life in her flight
all light and love and no regrets, nothing to forgive.

I follow, as I must – this Friday, Good without dying,
branch and stock holding new blossoms, leaves

proud and high and bright as any ascension,
nothing crossed out or buried, nothing lost in celebration

of simply living, extravagantly becoming, singing
strong, vibrant – all affirmation in her passing over.

For me, this Easter, a man does not die, though
a woman lives with all the joy of Spring

and requires no forgiveness for long Winter –
only smiles of a goddess returning, bringing

colour, completeness, fullness of purpose
not rising from death, but waking, with a sun ready

to make fruit before she departs again to sleep,
and to play with hares, break eggs and share –

take, eat – she says. This is my body, and I am
indulged and free, at one with Eostre.

2012 © Andie Davidson

Turning the page: life reflected in poetry

  • Posted on March 23, 2012 at 4:19 pm

Little can be as emotional and emotive as gender identity. It’s the heart of being – it’s just that for most of us there is never a question to ask, so never a disturbance. And when it’s someone else we know, we can choose a comfortable distance. I know that some of the very many people I have told will be more comfortable not having to know what being transgender is all about. Like being gay or lesbian. ‘Just get on with it, we’ll leave each other alone, no questions, I don’t need to know.’ So long as there is respect in that, I really don’t mind. After all, in a few years time my new normal will be an old normal, and I will blend back into the scenery. I will have new friends and colleagues who know me no other way. They may never know how I used to be.

Meanwhile there are freshly turned pages.

Over a year ago I began writing poetry again; nothing like stirred emotions to awaken the muse! After a while, I realised it might amount to being a little more than poorly-crafted angst, easing my soul, and started for the first time in my life, to let other people see. I took advice: I wanted to be good at what I was doing, and I had something to say. Through many sessions with Kim Lasky over many months, I learned how to craft poetry out of inspiration, and began telling the stories of perspectives of transgender journeys. As the pile of poetry grew I felt bolder and started to imagine titles of a collection. It was about perspectives, voices, journeys. But in the end my title is Realisations. All along, I was making myself more real, as well as realising things that I’d been blind to, or ignorant of, for over 40 years.

I have written a lot that has nothing to do with this collection, and was immensely gratified in October 2011, to win – at my first appearance, at my first public reading of anything – a poetry slam. My only regret was that I stood up as a man, whilst naming the poem as a woman.

RealisationsToday I turned the last page on the collection, completed my final edits and layout, and sent my final copy and cover design off to print. In a couple of weeks, I shall be in print. It isn’t the end. I’ve already imagined what the title of the sequel might be, and what direction it might take. But the point is, I knew that the collection was complete, and there was nothing more of that part of the journey I wanted to say. As such, the book will be a nice reflection, but maybe of most inspiration or reassurance to those who are following after, still finding their first steps on the ladder of self-recognition and dealing with family, friends, society at large.

And for all the investment, I have moved on. Some of the events and memories feel already old, though no less real. I have closed the book just as readers open it. I hope it will be useful. Most of all, I hope that readers will read the poems several times over, and realise that what I have really done is write some quite deep and concentrated poetry, with a language to intrigue and savour, whatever the subject.

If poetry is not your thing (and it really is not for many people) this will pass you by. For me it’s a small achievement as a writer, and a memoir of a time I shall never have to go through again. What lies ahead may be more difficult still. I shall be writing. If poetry is your thing, I really would like you to buy this beautiful little thing, and understand the heart behind it. If you do, I hope to be able to make a donation from the proceeds to the Clare Project that has sustained me during my first year of real-I-sation.