You are currently browsing all posts tagged with 'poetry'.

Familiar

  • Posted on December 5, 2012 at 11:39 pm

You have become my most familiar stranger,
and stranger still my most familiar friend.

Except that we may not speak without memory,
nor remember without speaking exception.

You look my way—ask after me—as if it mattered,
matted strands of friendship, lying, unexamined.

 

Do not touch me—that’s near enough to be—
or to be not, lest touching reminds, feels strange.

Disassemble me again with un-love, lay me out,
in all my parts for choosing not to reassemble me.

I don’t know what you have become, except
you remind me of a time I knew a stranger.

 

It seems stranger to see just part, excluded now,
excepted from friendship, not quite stranger enough.

Friendship, as progressive, is slipping backwards,
into a time before even the way I thought, was new.

Before the way I loved was lovely, coming as it did
from everything I am, before you knew the way I am.

 

In becoming familiar to myself, unfamiliar to you
you have become my most familiar, absent, friend.

 

2012 © Andie Davidson

Birds of a feather

  • Posted on December 1, 2012 at 6:28 pm

I was very encouraged by the response to last week’s blog about the hope there is for finding what love really is all about, and finding that the foundations are in loving yourself rather than in what the other makes you. Maybe one day I shall find the same. Will positive thinking help? Someone on Facebook posted a link to a book by Barbara Ehrenreich, Smile or Die: How Positive Thinking Fooled America and the World, reviewed in the Guardian a couple of years ago, debunking the power of positive thinking. Does it make things better? Apparently not. And I shall be reminded, possibly chided, by my son who I was exhorting to think positively this week. I did. He doesn’t; but the outcome does look promising.

Personally, I don’t think the positive thinking does any more than I think prayer works, because what matters and makes a difference to me is the willingness to see opportunities to make progress in the direction you want. Positive thought, prayer, meditation are all ways of keeping your eyes open. I imagine it as being in dense jungle, having little sense of direction. You can give up; you may as well close your eyes or blunder about without a clue, going in circles. But if you keep alert, open, then every breath of wind that parts the leaves and reveals the direction of the sun, or the scent of water, or a warning of tigers, is just one little chance more of finding your way safely. You don’t make the difference, you are simply available to it. Right now I am trying to be available rather than closing my eyes. I have this idea, a reassuring idea, that somewhere, someone needs my love and wants to offer their own. Not in exchange, but because it will be the only thing we can do when we find it.

I am reminded to wait until I am ready – until the wind parts the leaves. Only two months ago I asked, for the last time: ‘Is this really the best we can do, after 32 years?’ It seems it was, and it felt very like negative thinking. The power of negative thinking is in closing your eyes, in not seeing possibilities.

Like Birds

And so it is that I came to reflect how so many of my girl friends at the moment are all emerging from lost partnerships, broken romances, or struggling with love/not-love and feeling like – well, like birds with broken wings. And we gather in mutual comfort, have our bit of fun, a night out, or a cry together, and reassure each other. And I sort of know that when any of us finds that love again we may fly off, with the joy we had when last we were loved and wanted.

It isn’t a negative existence though; we joke about the disastrous judgements we have all made, how we misunderstood and were misunderstood, and how dreadfully hard it is to find the ‘right’ partner. The trouble is, the more we establish the selves we settle into, the harder it is to imagine another fitting neatly in the way we need. Remember those compromises when we were teenagers or in our twenties? Yes, we would give up this or that, do something we might not otherwise, all in the cause of securing love, stability, coupledom. How much did we hide, and lose of ourselves, to be safe? Yes, we all did.

Perhaps we will learn that being single birds keeps us together in ways that are just as rewarding. But we all reflect that the comfort of partnership, of knowing there is always one who will love, support and look after you, remains a big gap. I love my broken-winged birds-of-a-feather, I really do. And girls’ nights out are something I have missed out on all my life until now, and it reminds me of how lonely I used to be sometimes, even before I lost my best friend and lifelong partner. So yes, I am thinking positively. Not because it will mend my wing, but so I can keep catching the hints of which direction to head in, and while I do, I have some lovely friends to stay chirpy with. And either my wing will mend, or I shall just have strong legs.

I have been fiddling with a poem on this too. I expect it will get better, but for now it’s like this: Like birds.

Like birds

  • Posted on December 1, 2012 at 6:28 pm

We gather, in twos and threes.
In twos.
Like birds with broken wings.
In ones.
Quiet in discomfort, lost
to sky.
Thoughts are clouds, reason not
to see.

Silent
or intermittent twitter-chat.
Bursts
of brighter hopes—one day …
One day
‘when my wing is mended’
when
released, as new shall fly.

We shall fly, alone, in twos.
Free
from hurts. On skyroads, unbound—
not too
hurt to conquer cloud hills. Imagine
the one
with wings gathering, lifting us
high.

But now
feathered in lost loves, flocked
in one
shared understanding. Like birds
in twos
shuffling for a sunrise, twittering
in trees
gathered. With broken wings.

2012 © Andie Davidson

Back-story to this: Birds of a feather

Performance and poetry

  • Posted on October 30, 2012 at 11:25 pm

Andie Davidson, Polari, October 2012When I began my journey away from anger at aspects of myself and hatred of what felt so wrong about being me, I came to appreciate that just saying what I felt wasn’t really helpful. I say this, you say that, we disagree. I feel this, you feel that and we are hitting each other emotionally. I was not being fact, I was not being statement; I was being something inexpressible, I was being the emotion of self-realisation. We don’t have to go there much, do we? Life works, we sit tight. How could I say what was going on, and why it was becoming so important, so urgent? Poetry for me was a subversion of logic, the unspeakable, said with elegance, read until you realised your answers had already been undercut, and yet the playfulness of the language had strung you along. Maybe I overstate what I was doing. But I’m not so sure.

Last night I had been invited to present some of my poetry at a Polari evening at the Royal Festival Hall. No, not the big one! Just the 100-seater function room overlooking the London Eye, into which some musical performance and applause occasionally wafted. Anyhow, it took me back to my poetry collection RealIsations to select some key pieces along with some new ones. For me the book was a chapter now closed, and interesting to reopen after being left to rest.

The fears, as well as all the hopes, are long gone. I transitioned and began life exclusively as a woman seven months ago, and before that for a year, I had been doing so less and less covertly for at least three days a week. So I was recalling emotions largely dealt with, and able to appreciate the artistry I had achieved in the writing. I couldn’t just stand there and read this stuff: it was laden. But at least now I could get to the end of the poems without tearing up. I am quite new to poetry in many ways. I have written all my life, sporadically, and often wanted to read expressively to convey the intent. And so I am used to thinking about how I read, and how to carry meaning best when, at least in a lot of my work, there are many layers.

My lounge has become accustomed to dance, so without cats to embarrass, I could practice moving towards performance in my poetry. Polari is a somewhat flamboyant context, so all I knew was that this was something I desperately wanted to do, and do well. Did I? It was exciting. It was amazing. To be me as I now am, in this place, with these well-established, award-winning authors, doing this, and hitting the right buttons.

I am sure I can improve; there isn’t much one gets right first time in the creative arts, but it was such a powerful experience for me, I know I really must do this again. I loved it. This was me, reaching my best as a writer, at last, in a place where literature is appreciated, where being transsexual, if not understood, is at least recognised as an accepted minority identity. Other people might use a phrase such as ‘it blew my mind’, but I am less extravagant. It was another piece of self-understanding, that this is actually an important part of who I am.

It has taken me 24 hours so far to try and come down from the high, and I am back at work in the morning working on technical writing and operator manuals and the mechanisms of keeping them well maintained. A world away. But inside here, my heart is beating with the thrill of everyone who showed their personal appreciation of what was, to date, the performance of my life.

Last night

  • Posted on October 12, 2012 at 12:16 am

Tomorrow we shall sleep
when the surf has receded to a distant roar
and my pebbles cease churning, grinding–
drawn and flung, drawn and flung

and the sun is arcing high
with the heat and release that stops all work
and wrack bakes on stones cracking, drying–
torn and wrung, torn and wrung.

Eyes closed we shall drift
on horizons so distant we can’t say where
but sand is soft, forgiving and fine—
dust from stone, dust from stone.

But tonight as we lie
refusing the last-ness in every thought
the noise, the turmoil, the silence, the sigh–
sleep is wrong, sleep is wrong.

2012 © Andie Davidson