When cameras shot rolls of film in 24s and 36s, you got envelopes back, with the developed film in cut strips. These (if you were like me) you filed, along with the rubbish prints that never made it to an album. Filed? Well, probably stacked in a box and never looked at again. I did the filing in case I wanted to enlarge or reprint from a negative strip. On a few rare occasions I did. A few. And so it is that I now have a heavy box on my sofa, regurgitating these envelopes, and retrieving a few photos of my children. These are the easy ones. If the birthday cake says ‘7’ on it, then I can tell when it was taken. But the steam train? The castle? The rainbow?
This is a heavy task, and you can well ask why I am doing it. The boxes aren’t so big that they couldn’t find yet another stuff-away place, it’s just that this time I know I shall never squint at the negative strips and make decisions about reprinting. It’s a heavy task, because those plastic strips represent my life, and split it in two. I can’t share the task either. My ex has the family print albums, and at some point I want to borrow them to take digital page-snapshots. But I don’t think just yet. Not now.
Albums wake up memories, and are best shared. (Where was that? Do you remember that house / holiday / event / thing we did?) Suddenly I don’t have anyone I can ask or refer to, let alone enjoy the memory with. Yes, I remember, and from behind these eyes, I think that’s OK. From the packs I’ve already been through, and the few discarded print retrievals, I have had a rich life. What I can’t handle so well are the prints (few) in which I have been captured. Here is a person, a young person (well, younger) who clearly loves their family, their spouse and kids, doing, making, sharing, giving, playing. They look like they were loved, enjoyed and valued too. It was fun.
Wasn’t it?
But who the fuck is young beardy with my family …? What right has he to be in my place? I feel angry, because he looks familiar but I don’t know him. He has stolen my family away. The birthday cakes, the holidays, the Christmases, the homes, gardens, pets. The belonging. The love.
He. Has stolen. My life.
I understand what you are thinking: that they feel I have stolen this person away, and that it’s my fault, and that’s why I no longer have any link to this pile of photographic records. But that isn’t how it feels to me. The problem is young beardy there, because I know he is smiling to the camera and enjoying life, while all the time I know exactly what he is thinking, feeling, doing – when alone. He is hiding, running, scared and not telling. Of course he can’t, can he? Because if he speaks his mind, heart or fears, all these pictures will stop. Bending parents over small children, crouched over books and toys, will stand up, shocked and horrified. Toddlers in the bath will stop giggling. The music will stop, the game will be over, the smiles will fall. So he didn’t.
And so it’s his fault now, that I have a carrier bag of paper wallets and scrap prints, and another of plastic sprocketed strips, on the floor, and half a box on my sofa, and honest confusion in my head. Am I throwing anything away? Untouched negatives, unwanted prints, space takers and careless memory-joggers. And there is nothing I can do about it. I am simply reminded that I never was going to do anything with the negatives when I said ‘you take the albums’, as I walked away from the ruins of the last family home. And that the memories in your head only really mean all they should, when the same memories are in the head of another with whom you can share them with knowing, prompted by these images.
The little boy? He seemed a lot happier when little. He’s had a less easy life than I would ever have wished for him, and now he has sole responsibility for his adult life. I helped launch him into life’s orbit, but he’s up there on his own now, communicating sporadically, and I can do little more as a parent. And anyway, how can it be as the same parent now?
The little girl laughs a lot, and plays with her brother. She really is very cute. And she would hate me even more for saying that. She has grown into an attractive woman, and I imagine that she would never want to see a photo with her and young beardy together, ever again. Well, not if she thinks that parent is still alive and thinking of her. I imagine that it’s more comfortable to put him among the dead ancestors. Either way it’s his fault that we aren’t able to communicate any more. Yes, I helped launch her into orbit too, but like a malfunctioning remote lander, or a satellite without working antennae, she is real and out there but with a location and activity quite unknown to me. If I had been there instead of young beardy, I would still have a daughter.
The mother. The mother is still an attractive woman, still kind, sociable and generous. You can tell she loved young beardy, and I guess he took all the pictures with equal sentiment. Yes, they look good together. Equal. Devoted. Happy. But where was I?
I feel angry. Where am I in these pictures? Why are they mine? Why is this family not mine? Why was it taken away from me? Why can I not remember together any more? Why are my memories in free and disconnected orbit? Why was young beardy the favoured one, the loved parent, the spouse, the partner, the beloved? Why not me? I am left thinking that he is the betrayer, the liar, not me sitting here with the remnants. And yet everyone else would say that I am.
And this is the problem. The little boy is the young man in orbit. The little girl is the soon-to-be married woman, in orbit. The wife, the mother, the attractive divorcee, the successful sociable woman – she too is still fully connected to her past, her family, and together they circle the life they have always had together, the cloud of memories. Every negative makes sense to them, every print is connected to retrievable memories, the memories are shared and bring joy. Young beardy though; he simply does not belong in the picture. He is no longer in orbit, and has been completely ex-communicated from this world of memories. Something is out there, but not recognisably him, not with any means of tuning in.
I have inherited the memories, as if digitised in a back-up drive, but I am not him. Young beardy was a fearful liar, and has gone. And having gone digital, the hyperlinks on all my memory files can be read, but connect to no-one else. I click on the birthday cake. I click in the sand-pit. I click on the old house, the red tractor with the little boy, the trampoline and the girl, the beautiful wife and none of the links works. I just have the picture of each, on its own.
What is a memory when it is unshared?
You know what really hurts the most? Where the grief really lies? It is that I was there. Either in the picture or behind the camera. And in my life I have had an enormous amount of happiness, love and reward. Not one of these pictures reminds me of conflict, or argument, not even disagreement. There is no distrust, aversion or hate, and in not one is there the remotest hint of something hidden. I was – we were – truly happy as people together, and yet it always did hang on one small thing: that how I felt inside had to be kept inside. Love and happiness depended entirely on me playing young beardy, every day.
What the pictures never show is how I felt on my own. They never show what I had to hide. They never showed the pain or fear, anger, hate or frustration. Because I loved my family too much to lose them, for as long as I could. Predictably, that love all evaporated as soon as my authentic self began to tear the fabric of my outer, not-so-young, no-longer-beardy self, completely apart, top to bottom.
But I loved. I truly, deeply loved. And that is why every memory is happiness and hurts, and can no longer be shared with anyone.
There is a small stack of prints left, mainly relating the early years of marriage and early childhood of my two children. And with these are a few more, of one or two people I loved a long time ago, and a few of these remind me of another girl, and the happiest time of my younger life. I feel comforted, because I know that I love; that I go on loving, however difficult life gets, and with love comes that insistent drive of life, of growing, of being. Of becoming.
I am about to take the bags down to the bins in the yard. There is a sense of loss, even if I was never going to refer to the thousands of negatives ever again. What is in a memory, when it is not shared? For me, the capacity to live and to love; the self-assurance that I can do nothing else. Pictures may remind me of loss, but without the negative thoughts, what is printed in my memory is still gratitude that I have shared in a lot of real happiness through love.
My partner and I have a list stuck to the fridge, of things we want to do. At the bottom is says ‘photography day out’.
There will be no negatives this time.
See also (poetry):
