I have a lasting memory of black and gold religious icons of a revered madonna. Mysterious, impassive, unjoyous. And I have abiding memories from my religious experiences of feeling that something about me was deeply wicked and unspeakable. Somehow there was a connection, and patriarchy and male enforcement was common ground. This is deeply feminist, but I do not mean to offend anyone. However, largely as a result of religious views, I had no voice; I could not speak. I was illegitimate. Icons are part of our culture still, if not religious. But they are co-opted, made by and for…
- abuse
- activist
- anger
- appearance
- attachment
- attraction
- authenticity
- beautiful
- beauty
- being out
- belonging
- binary
- binary fallacy
- biology
- birth
- books
- care
- change
- Charing Cross
- children
- Christmas
- climate change
- climate emergency
- clinic
- coming out
- condition
- confusing
- connectedness
- conversion therapy
- creative
- cross dressing
- crossdressing
- culture
- dance
- dancing
- data
- debate
- delays
- dementia
- despair
- detransitioning
- diagnosis
- disclosure
- dissident
- divorce
- dressing
- dysphoria
- emotion
- employment
- equality
- erasure
- exile
- expectations
- experience
- facts
- family
- fear
- feminism
- feminist
- fox
- freedom
- friends
- friendship
- GCS
- gender
- gender dysphoria
- gender queer
- genital surgery
- GRA
- gratitude
- GRC
- grief
- Grrl Alex
- GRS
- happiness
- hate
- healing
- homophobia
- honesty
- hormones
- husband
- identity
- illness
- intersex
- intimacy
- joy
- justice
- kindness
- knowledge
- language
- law
- learning
- lesbian
- LGBT
- LGBTQ
- LGBTQI
- life
- loneliness
- loss
- love
- marriage
- marriage vows
- maternal
- media
- memories
- memory
- motherhood
- muesli love
- name change
- nature
- normal
- observation
- oppression
- Orlando
- parents
- partners
- passing
- patriarchy
- perception
- permission
- philosophy
- physiology
- poet
- poetry
- Polari
- prejudice
- presentation
- pride
- privilege
- pronouns
- psychiatrist
- publishing
- raw sex
- reading
- real life experience
- recognition
- reconciliation
- regret
- relationships
- religion
- remembrance
- research
- respect
- romance
- self
- separation
- sex
- sexism
- sexuality
- spirituality
- stealth
- suicide
- surgery
- survival
- surviving
- talking
- TDOR
- terminology
- testosterone
- touch
- tradition
- trans children
- transgender
- transgender poetry
- transition
- transphobia
- transsexual
- transvestism
- trapped
- treatment
- truth
- unconditional
- understanding
- ungendered
- vulnerability
- wedding
- wife
- women
- writer
- writing
Dis-appearances: stealth or skin?
We have evolved and survived – we being every living creature on this planet – through expert pattern recognition of things that matter most. For a bacterium, perhaps a chemical signature, for a bat an auditory echo, for an antelope, stripes moving the wrong way in tall grass, for a human, maybe a facial expression or the face itself. In fact our senses are all designed for pattern recognition, to know food from poison, welcome from warning, friend from foe, mate from challenger.
But for us as humans it has become incredibly complex. An actor is not really threatening you; their terrifying violence will become beans on toast as soon as the camera stops or the curtains close. And we thrive on novelty and invention, so the challenge of the unfamiliar is always with us. Sometimes we lose and a real danger is not spotted: insecticide toxins, environmental disaster, over-confidence is a dangerous place, early experiments with radioactive substances. Sometimes we win, and a new invention raises our game, an unexpected relationship becomes love, a crowded room of strangers becomes a welcome.
Stealth
Military technology that deflects radar enquiry (stealth) removes pattern from the response. Signals are absorbed, scattered and confused. You don’t get back a clear picture, or any meaningful picture or signature at all. It’s better than being ‘under the radar’. Its purpose is to confuse, to be invisible, so that an infiltrating mission, aggressive or surveillance, can go undetected.
As a borrowed term, I am very uncomfortable with adopting it for living as a transsexual woman. I am not intending to deceive anyone, but neither do I want to stand out. I want to adopt normality, not invisibility, and as trans* people do gain more acceptability in society, the fear factor will reduce. Being ‘found out’ is not something I want to happen. I want the conversation always to be:
‘You’re trans, aren’t you?’
‘Yes, that’s right.’
‘Oh. OK.’
In other words, my pattern has been noticed but it means I am friend not foe.
But this is a very difficult one indeed, because being trans* is not like being gay or lesbian or bi. I do not need another trans* person in order to have a relationship that is normal to me, whereas being gay or lesbian does. So I may need to be openly lesbian whilst not openly trans*. Being trans* is a diagnosis that has treatment to make you as un-trans* as possible. I used to think I had to live as if I was a man, because of my physiology and social expectation, but that is history. It is over; done; finished.
My male features, some of which I can do nothing about, like hand size, large big toes, a broader ribcage, will always make me noticeable. So I really do understand the grief a younger person feels, that correcting their genitals and torso, even their face, may still not be enough to assert without explanation, their own gender. If it didn’t matter to anyone else, it wouldn’t matter at all. But can I really ever be the object of desire to another? A frightening thought.
We present patterns to those around us, and they recognise and respond. I cannot make my big toes slender, but you can let it be completely OK. I don’t need stealth, you need to adjust your pattern recognition response. Being trans* is normal, not disconcerting or repulsive. The trouble is, I am in charge of myself, but I cannot change society around me except by slow, if vocal, influence. I am living now, today; tomorrow will not do for social acceptance.
Under the radar?
We do live with pattern recognition, and society assuredly has not adjusted. Most of the time I am just flying under the radar. I get on with life, I make myself look as normal as possible, whilst expressing my personality and individuality. I do a good job at work, I meet lots of people in many different settings. Being transsexual is not an issue. Until …
‘There’s that man in drag!’
As I left my flat a few evenings ago, a young man (isn’t it always?) in a car, announced this loudly to his friend. He was announcing his insecurity. His pattern recognition (maybe he has been around since I moved in, and remembers the earlier days) still says: ‘I know what to do with man, and I know what to do with a woman. This person confuses me. They are only in my book of shapes as a man in drag, and I have no better understanding. I feel safer by alerting my friends to something I don’t understand, rather than saying nothing because it doesn’t matter.’
As always, this young man spoke about himself, not me, but yes, I did find it offensive. And disappointing. Why was I being mis-identified at all?
I have no need to avoid this person in future, because the problem on one level isn’t mine at all. But if I could wave a magic wand, and become an attractive woman, would I? Well, maybe I would, just to avoid the hassle. But being stealth-configured to avoid hassle, risks the accusation of deceit, and frankly, I should not need to hide anything.
Skins
A lot of popular software applications, from this blog to games, offer alternative ‘skins’. The same thing underneath, no change in functionality or rules, just pink instead of green, flowers instead of camouflage. As an alternative to stealth, adopting a different skin, is perhaps feasible. I am what you see, and I want you to recognise that this is only a skin, and that yes, we have all chosen these presentations: I, as a transsexual woman with my style, and you, as a cis-person with your style. Or as a lesbian with your dyke style, another with a femme style, and so on.
So instead of stealth, in place of acting, and renouncing fear, throwing away the pattern-recognition manual for gender, I want you to know that inside I am exactly what I say I am. And that my skin is my familiar garb, not for you to question, but to understand why I wear it.
My ribcage does not make me a man. My dress is not drag. Ask me and I will be straight with you, and explain as best I can. But I will not hide just to assuage your prejudices. I did not choose this, just as you did not choose your gender – or your shoe size.
Well, this is what I would like. I am horribly aware that even for me, there are those I counted even as friends who ‘don’t know how to relate to me’. Even my wife and daughter don’t know, so have distanced themselves to a safe place for them. Yes, me, a threat to their normality: you can’t be my dad so you can’t be my parent. You can’t be my man, so you can’t be my partner or lover. Pattern recognition has destroyed my family, and there is no stealth imaginable there. If anything, living before realisation was stealth, and I have renounced it.
All around the world, every month, trans* people are murdered for being unfamiliar to the pattern-recognition handbook. Stealth would present a constant fear of being discovered, the radar points too low, the unwillingness of society to learn new patterns is not there. They are hated for being different. I am lucky. Very lucky.
Out in my skin
I can’t get out of my skin, I own it. But this is the bit I also choose. I choose for taste, but also for acceptability, not to hide, but to present. Some have a problem with it, but I don’t. Stealth? No. Discretion? Maybe. I am confident in my skin. But see me beyond it, because that’s where recognition really lies.
Related poem for reflection and fun: Patterns
Take two
My weekend schedule is screwed. My Tesco weekly is deferred by two days, and I shall probably need to work half of Sunday too. That means a late walk on my own somewhere, then back to work. Why?
After my Chakradance workshop I worked out that Five Rhythms dance was a similar opportunity for me to do what I was already doing in my own space. But once more, down in Brighton the group was on Wednesday night, a popular night for everything, including band practices. I booked up a couple of other events in the autumn, again, not far removed from what I do. However, I then got invited over to Lewes Five Rhythms, and last night turned up to a new experience in dance. Well, almost everything is a new experience for me in dance. I sat out for 40 years at almost every disco, did the Gay Gordons when a reception demanded it, the odd skip at a Ceilidh, and even a few short weeks learning Lindy Hop. The one memorable event I have is when a girlfriend and I choreographed and performed a small dance when working at a community centre in Devon. That was a wonderful experience for me. None of those other forms are for me though, any more than I shall spend my time carefully crafting sonnets or sestinas. I write free verse and I dance free dance.
So for two solid hours, I and 30 others danced continuously, thoughtfully, mindfully, expressively. And sweated. I was in my element. After all these years, here was a room full of people who took my new self-discovery for granted. I think it did me a lot of good, so dance has to be part of my life now. Well, I’m not going to be invited to any parties any time soon, so I shall go and find dance. What can I do with it? Where can it take me? I don’t know, but it feels as essential as music and writing to me.
As I walked up the hill to the car afterwards, thankful for a warm night in my wet things, I was thinking how I got here. At 56 I was discovering things about myself that must have been latent all my life. At junior (primary) school, where we went in at doors engraved ‘boys’ and ‘girls’, I remember ‘being a tree’ or a butterfly or … Well, it was called music and movement, and I didn’t know I was dancing. After that I was plain awkward, and soon realised that I just didn’t do ‘bloke dancing’ at discos. But now? I was dancing, and wondering why I hadn’t been doing it all my life.
The feeling is one of release. First, no-one to ask permission if it was alright to skip Tesco and go off 20 miles to do some New Age thing with strangers. Second, no permission to get it wrong. What if I turned up and it was alien? But third, the freedom to discover myself and to set loose things that have been suppressed for all my life. No, it isn’t too late. The funny thing is, I never felt like I was the kid ‘trapped in the wrong body’, but I have lived all my adult life not expressing some innate and very deep aspects of self. This is release. This is the unspeakably awesome turning point of my life. This is a whole cage-full of white doves sent up into a blue sky and sunlight.
When the clapper-board of life comes down, and the action stops, and those you have been acting with retire to separate trailers and you are standing alone, you don’t expect it to come down again for ‘take two!’. I have been embedded in all I have lost, in terms of relationships, from family to friends who have simply withdrawn, and those who just don’t want me to get too close. And yet everywhere I go now, I find new acceptance, new welcome, and the most amazing inclusion in new things. Maybe, just maybe, someone will dare to get close, really close, and that first white dove will land and coo again.
Through my eyes
Never mind the shoes, never mínd the mile
climb up inside me, reach over my smile
Adjust your seat, be comfy, and rise
until without strain you see through my eyes
Watch me knock, push the bell, and feel the start
where love is a stranger – yet still draws my heart
Scan books that tell stories of holidays and times
I, reading science and she, reading crimes
Climb steps to the loft, find childhoods stored
rummage things forgotten, and toys once adored
Feel grass underfoot where I mowed, where I lay
smell the flowers, stroke the cats, let it all go away
Clear the shed where the wood is cut into shapes
of parts of my home, of my heart, of my hopes
And now watch me turn, watch me leave it behind
see the images blur until we are blind
Is it something I said? Is it something I did?
Was I harsh or unloving? Infidelities hid?
Did I fall? Did I fail, for this all to be gone?
It was none of these things, just the way I was born.
2013 © Andie Davidson
Is there a ‘me’ in ‘chimera’?
One of the more fascinating debates to have in the pub is when people start to ‘enquire beyond’. What is beyond the universe? What is beyond the end of time? What is beyond this life? It’s reassuring to know that there isn’t some monster at the end of the universe, or that time is not simply recycled in some Groundhog Day nightmare, or that hell isn’t just a coercive historical invention of a ruling priesthood. Whenever a conversation starts to ‘go beyond’, even if it is just an inability to understand a different human culture, or to think scientifically about something where there is insufficient knowledge, I recall Descartes’ Discourse on Method.
It was tough going, on my philosophy course at university, to plough through, especially since God had to be an integral part of all Descartes’ functions of reason, but I do recall some important features. One is that everything lesser comes from something greater, and that we can’t always infer the rock from the chipped-off stone. Also, that you can’t invent and describe a chimera (a made-up creature) that isn’t made of bits with which you are already familiar.
We had a rather old inherited children’s book with split pages, where you could mix half a lion with half a giraffe, for example, to make a liraffe. And pictures of dragons and monsters, or even aliens, are always recognisable in their parts. There is a head, or sometimes the body contains the head parts (Monsters Inc). An eye or eyes, a mouth and teeth (usually, not many monsters simply suck, and we tend to think of them as frightening and aggressive, so they need teeth), limbs to get about, with joints, gripping-parts with fingers, suckers or claws, and maybe a tail for balance or as a weapon. But however hard you try, it will be slimy, furry, leathery, scaly, or something derived from an experience of a living creature, or manufactured robot you know. You can only describe and imagine from what you already know – and for sure, we don’t know everything. (Anyone who knows me well, knows that I can be very adamantly wrong!) If you were to meet a quite different being, manifesting in an entirely novel way, you would have no words to convey the experience. Everything would be analogy or simile – in other words, solely in terms of your current available shared experience. In fact, you would have difficulty having the experience if it really was beyond the universe we know so partially.
Belonging and experience
Now think of your own life, its changes, roles, relations, and the creature that you are. Here is short chain of what I am so far:
unborn kick; baby; Andrew; son; brother; minor; pubescent child; Andy; adolescent; boyfriend; student; lover; man; husband; father; companion; woman; sister; daughter
I said ‘I am’ because either I am momentary (i.e. only actually exist in this moment) or I am everything from all moments because that is known and recalled. I could add the decorations, of writer, artist, musician, etc., but you get the point. These aspects are all me. Yes, I include the male stuff, because the body part of me was identifiably that, but because I am woman, that is as real and as true as anything else. I lived and performed as a man mistakenly for far too long, but nevertheless I did, just as surely as I kicked before I was born. You can’t infer the whole from the part, and you can also recognise everything that has ever described me.
Is there a ‘me’ in ‘chimera’? We can all see that, and we are all part of someone else’s construct..
Is there a chimera in me? No. Because I am not all things at once. Only a few things are retained together, but it isn’t monstrous to be daughter, sister, woman, father, even lover, all at once.
This is my philosophy of self, that I own it all, understand it better than I once did, and will again more in the future. But it is also my philosophy of person: that for everyone who knew me before I took possession of my womanhood, all of it was me, and that the person you know now is the same as the person then. Those who sit next to me in bands where I play, or in the office (does anyone there read this?!) know that my sense of humour is fast and innate and of a particular kind. Those who have told me I have lovely eyes have not done so because of my gender presentation. My voice has changed a bit, the way I speak and walk certainly have, I let my hair grow, but my memories are contiguous and detailed. My DNA runs in my children. My feet are the same size, even if women call a size 9 a size 8, but I dance on them now. So if anyone thinks I am a different person is simply saying that their mental chimera of me doesn’t look like this anymore.
A different person?
We do say, colloquially, ‘they’re a different person’ when someone is traumatised, or reacts to drugs, and in some way their personality changes. Sometimes a person becomes ‘lost’ through dementia, or grief, or by withdrawing, and we know that inside, this person is just unexpressed. Sometimes we mean someone has become released, or content or happy in a way they never were. But they aren’t really ‘a different person’, only expressing themselves differently. Sometimes we like it and relate to it, sometimes it is less easy to do so. But all of these changes belong to the person, and the difficulties belong to the observer, friend, or family member.
Me? Yes, I’ve changed. I’m happier, freer, I am reconciled with my real gender, I feel a lot younger and I wear eye shadow and a skirt. I don’t think that I have become less of a friend (though some have been tested during my transition) or unlikeable. I am as annoying in some ways as I always was, and I shall have to continue working on that. But the same person gets up in the morning and sleeps at night, and feels lonely and hungry.
When you say you love someone, what do you mean? What do you love? When a person changes in the way I have, what did or do you love? I hope I may find someone who loves me like this (but that is me ‘thinking beyond’) who may not have loved me when I was living as a man. But that is about attraction, not about loving the person. It’s about feeling safe to open up and be vulnerable with me, in accordance with what is ‘right’ or that fits expectations. Maybe someone will be intimate with me again, only because I am a woman. But just as those who have left me because of this could not accept that whole chain above as ‘me’, so another will have to face the fact that ‘I’ am that whole chain too. This is me, the one person. Be careful what you love.
- Poem: Be careful what you love