You are currently browsing all posts tagged with 'family'.

Drawing trees

  • Posted on December 12, 2024 at 12:49 pm

A poem for a grandchild I may never meet, who will not know me. But who will surely draw trees.

One day you will draw stick people.

They will all smile and look back
with dots for eyes.
Sun will shine, reach out with rays.

Soon, stick people will have hands
like coppiced willow.
Like the sun has a smile.

Cloudy trees will become dark
woods with bears, scary tales, with claws
reaching out for you

but still furry, and you
will hold your bear with love and
willowy fingers. Your trees

will grow from cumulus to sticks
with structure, with roots, with winters and
in their fingers, beds of birds.

You will learn of ash die-back, oak
apples, mistletoe, ivy and
bark beetles burrowing elms to end.

You will wonder at nests, so spare
all feather and sticks you will ask:
how eggs, so fragile, were ever safe.

How trees bend and sometimes break
what roots look like after a storm
spread like a giant hand splayed

like the rays of the sun.
And what colour was the blackbird
in this nest?

2022 © Andie Davidson

Why it is never over

  • Posted on July 9, 2021 at 7:22 pm

Today is one of those days, the sort you are reminded of, which you would have been reminded of, but for which there is no need. It’s a mark on the calendar. On our calendar it is one of many births, marriages and deaths. This one is a birthday: my daughter is 30 today. I haven’t seen her for ten years now, so we have never known each other as adults. In those years many people have said ‘you never know, she might one day …’. But I don’t think so. Not now.

This isn’t public grieving, or looking for sympathy, just a note of what happens and how you keep finding that something is gone. I saw my marriage going down against all hope as I moved into transition. It wasn’t my decision and perhaps I was naïve to think that love could overcome becoming real. But this I didn’t see, and never had any meaningful conversation to engage with her over what was a deeper divorce. I am not alone, however many good stories I read of families that survive and thrive one member’s transition. I often wished that could have been mine.

So that was then and nothing has changed. But it also means I can’t talk to anyone about her, or ask after her and get any meaningful answers. I hope she is happy; I think she probably is. But hers is a life where I can never be supporting, listening, caring or doing and celebrating any of the things a normal parent does. I find it easier never to mention her because I have nothing to add, and people will always ask what happened, and if that means explaining about the problem of being trans, it adds more uncertainty about how much people know, understand, accept, or are kind.

It is never over.

I still think that her explanation about her father is either that he is dead or that he walked out. I guess I did, but that was because I could not hold myself together still loving someone after 30 years, who was daily moving away out of touch. And my daughter just made sure she was never there, not asking or finding out. You can’t persuade a trans person to ‘be both’, to be a little bit, even, of what they are not. We all needed to face it as it was and failed. And that is where the grief still lies, probably on all sides. And so I am either dead or a deserter, but anyway, happy birthday.

I find it very uncomfortable still, watching films and dramas in which the plot revolves around relationships breaking up in predictable ways, not out of badness, but out of the way the characters are framed. I see it coming and I am squirming: why did the writer make this happen? Why did they have to wreck lives, break families up, destroy loving well-meaning people who were doing their best?

One we have just been watching had a character trying to define love, so they would know when they found it. ‘You make me a better person’ was one way of knowing. So long as it doesn’t lead to dependence and conditionality. It is quite close to my skeptical definition ten years ago of ‘You make me the person I want to be.’ When that happens the other can’t grow, not even into what they could be, and you feel that the other is taking something away from you, if they do grow.

I have grown into more of what I should be, into more of what I am. I don’t know much about my family as was, but I would rather I could help them be better people than have to play dead. I am happy, absolutely and, I think, a better person who they will never know.

Families with trans members need support, and that was conspicuously missing for mine. I hope that one day my daughter will understand just enough to know it didn’t have to be like this.

Basket of Memories

  • Posted on August 10, 2017 at 11:30 pm

There is a series of drawings I should have bookmarked, illustrating grief. One shows two people walking side by side, each holding a handle of a basket marked ‘memories’. The grief version of this image is one person, holding just one handle. Memories are something else when shared, repainted, renewed. Something is forever lost in memories unshared.

And then there is the business of separations, and memories that are denied, memories longed for, memories stirred, and not the same from both sides. This poem began in light of my lost family: chosen and deliberate breaking of memories. And I have seen shared belongings in an unshared space, and wondered about the ways in which I am forgotten.

This poem is a poignant and very real portrayal of losing my family to my personal changes with which they could not cope or embrace. But then I thought about it after writing, and realise that it also applies to my mother’s slow loss of memory (even that I am her daughter), whilst well-remembered things could be found in her house. Things shared, that no longer are; things that could be shared memories, but are not.

The basket of my memories

has a broken handle, many spilled—

I found them arranged on your shelves
hanging in order on your walls

where my eyes are pools
not wells, and dry in the sun
between showers.

There is a mother and there is a daughter
who don’t remember, deliberately—
one doesn’t deliberately remember
the other deliberately doesn’t.

I am a memory in a basket
with no handles
a pool without reflection.

There is a photo of a cat who died—
on your shelf, on your wall.

The recycling basket lies by the door.

 

2017 © Andie Davidson

Memory and identity – about Blue grapes

  • Posted on September 30, 2016 at 8:42 pm

This is an explanation or background to the poem ‘Blue grapes’.

I am watching my own memory, as I have written here over these past years. Me then, me now, what I knew and what I did not. I have written about dementia, a devastating disease that touches most of us in some way, that is affecting my mother. I have written about photographs like memory. Is this a sideline or a sibling to identity?

As I talk to my mother on the phone, my voice is familiar enough, and she remembers her son setting off camping alone in the Peak District. And yet I worry that if I were to knock on her door now, she would not recognise me. She never knew she had a daughter at the time I remember her summer skirt, when I was so small and sat or on at her knee. My best memory of that may have been stimulated by a photograph of her wearing it. Which I saw many years ago. The photograph no longer exists because she threw it away, my memory does, hers may, because it is an old memory, where I am still her son.

Somewhere inside, she is still the same young mother, whilst outside her reality is badly distorted. Today cannot be reclaimed, whilst those old days are like fluctuating embers of a dying fire. The conversations we hold now are a tissue, always the same, very fragile, everything in a tenuous memory layer, nothing really in the present. I am in the opposite pattern, where my memories are least like I really am now. One of us is hanging on to the present, the other the past, as our strongest realities.

Our identities must be more than our memories, yet without them we don’t fully make sense of the present, and so my mother and I have slipped apart even more than my bad record of being in touch deserves. I feel more myself, she less, whilst we may both remember a time long gone when she was young and wore a skirt I shall never forget, in a pattern of blue grapes.

Hence the poem, which visually represents a dialogue that is slipping apart. It can be read as one voice, or two.

Blue grapes

  • Posted on September 30, 2016 at 8:13 pm

Blue grapes

                               I shan’t ask you if you remember

blue grapes on white

                                    you may remember much better than this morning

blue grapes on white and stripes

                                           this morning has faded too soon

blue grapes on white and stripes wider than my arms

                                               too soon to recognise the loss

my last memory of blue grapes

                                                    your cotton skirt printed

was a photograph of laughter

                                                         faded and thrown away

in green fields running

                                                              girlish mother country breeze

we were children in vivid grass

                                                                  throwing your wide skirt of blue grapes

memory prints of deep past

                                                                       wider than my arms being gathered and wrapped

fading with the son

                                                                              in single colours lost pink lost green just blue

that skirt that place

                                                                                     grapes on white with stripes so wide

skirt memory

                                                                                            blue grapes

of course

                                                                                                   how could we forget?