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Maid of la mer

  • Posted on June 28, 2014 at 8:41 am

One finger tip one thumb
and a pinch of finest sea-dust
fallen in an age, storm-stolen, stilled

where was it when I was drowning?

Calm now as the silence depth brings
unvoiced and needless of air
reprieved not of towering waves

but the fear of breathing.

You have no idea how much noise
a drowning person adds out there
all arms, all legs, all desperation

and the relief when they are gone.

Imagine them half-sunk, tossed
slowly filling, absorbing ocean
in all their life-filled spaces.

***

Be honest, you tired of flailing limbs
since you turned back to safe shores
we both forgave the futility

imagined debts we never owed.

One moment we were laughing
swimming in a widening world
the next my feet seemed caught

grabbed to a gravity, a floor.

Now here I swim, gilled, serene and
reach to marvel at sea-dust in my hand
oblivious to white horses and sanctity of sky

this is my tail, and the scale of it.

 

2014 © Andie Davidson

Voice

  • Posted on March 4, 2014 at 10:48 pm

I was teased by something that was said about voice. It flashed into my mind from several directions at once. Voice is what people hear of you. We speak of giving a voice, meaning empowering. We speak of having no voice as disenfranchised. We speak of something voiced, to imply the speaker would not otherwise be heard. Voice is breath with meaningful sound, so it marks the human spirit, and enables communication. And voices can be so different, from gentle to strident, pleading to dictatorial. ‘Performative utterance’ is a voice that makes something happen. Voice is also song. Grammatically, it can be active or passive. A bad cold or throat, and we can lose it to a whisper. And of course for someone shifting their life into a different gender voice is a scary givaway. Female to male transition is so enviably easy! The other way round has us searching YouTube, downloading voice analysis software, messing with keyboards, avoiding falsettos, pushing and visualising our pitch, learning cadence and even vocabulary and gestures that make our voice more as we would like. We imagine hanging our voice higher each day, or putting it on a high shelf. We risk sounding posh or Australian without noticing. We breathe and enunciate, listen to favourite actresses, and sing along with female vocalists in the car. And then there is the telephone. Voice, as the genuine expression of self, the journey out of the lie, is hard won.

And for the hard-of-reading, here is me reading it!

sound fileVoice (listen)

Voice

voice is speaking, voice is singing, voice
is breath made sound, voice is expression, is
meaning, voice is unique, may harmonise

or may sound alone

voice is me made known to you and you to me

voice is given, voice is found, voice
is lost, remains, in echo, voice is

what I speak, is what I utter, voice is heart
in sound, is hurt, is love
voice is to you, is to me,
is to empty air, but where

is voice?

I have a voice, I have two voices, one
I do not use; but if I were to sing, it may
find its place; I miss singing but not
the voice, not that voice; did it lie? no,
it was natural in an expanded throat, did I lie?
no, I just did not

know I had another voice

I have not used that voice for
years, last sounded for seconds
a year ago, and could not take it anymore, it is strange,

in my teens I heard it recorded
and it was light and high, and I
felt embarrassed with myself, now
I cannot bear to hear it so, how

did people hear my voice?

if they heard what they saw, they did not see
what they heard, my tenor was sufficient

trick on the ear, and my voice, my real voice
was silent, I had something
waiting to be said, I said, I had something
waiting, something, weighting my voice, down,
way down

I was unspoken, the real I
a wheel uncentred, loosened
from its hub, un-spoke-en, but I
found my voice, I found my song, I
found my breath, joined rib to hum
joined rim to hub and
turned; I had to learn

to speak, as if it were song, moving
white to black to white, key by key, back
to light, more afraid to be too low,

to be so low, I hung my voice
on hooks, sat it
on a shelf, taught it a new place where
it could rest, and there

it is, my voice, so
ordinary to me I have
little left to say

‘I like your voice’, she said. ‘Please read for me.’

my voice has quite become me

 

2014 © Andie Davidson

Shocking

  • Posted on February 23, 2014 at 8:57 am

This poem is from my book Realisations, which I still feel is an important chapter for my life and those involved with coming to terms with being trans*, or a partner emerging as trans*. I’ve added it now because it’s an elegant expression in context of my thoughts on relationships, more than ten years on from this event.

Whose?
The accusing angle of her finger
suspends distaste – and a stocking.
No relief wrapped in a reply
can change this gift,
this poison present.

Her fear.
Two answers hang
neither the better truth
she doesn’t want to know
the other woman
whose lace-edged discovery
invades her home.

His delight
slips from her finger
curls foetal on the floor
its elegance as lost as words.
Its lie even worse.
He wills it to rise and run,
be unfound before she speaks
or fear to anger springs tears.

His faithfulness
so complete, so safe,
worthless as any words.
‘It’s mine.’

 

2011 © Andie Davidson

Apart-ments

  • Posted on January 21, 2014 at 10:05 pm

Thirty steps to many hearts, hurts and
all these echoes spoken by doors

the singular, the anguished one-way
phone call that cannot reach

the hearts alight in family wholeness
voiced to one another

the child in protest between parents
both of whom would own their time

creaks and groans of lovers engaged
freely in orgasmic pursuit

the inconsolable belly-opening grief
poured to a door that’s closed

and the telephone that rings and rings
in the space where an absence lives

or dies unknown through unhearing walls
doors without keys just a letter-slot

wide enough when the police knock, bend
look, listen, with radio voices, leave

down thirty steps of unseen hearts, hopes,
hurts and lives spoken only by doors

2013 © Andie Davidson

Pigeon holes

  • Posted on January 21, 2014 at 9:59 pm

He’s leaning from the window,
awkward, empties smoky lungs
withdraws into yellow light where
curtains are never drawn, and spare.

The elegant black lady never sees,
from her complicated kitchen whose
aromas might intrigue, across the
garden-patch five floors down.

Nor does she see the blue-lit room
twenty-four hours of daylight, green
through frosted glass and never a face
to person such evident herbal care.

Mum, close-cropped white, below,
two daughters who dance—her man
keeps his bicycle in the hall by the
post-it fridge, three floors up—or down.

Tabby patrols a kitchen-diner, left,
where a family of four revolves
in the same space I, alone, find crowded
missing loft, garden, conservatory, cat.

Between replaced windows, wood peels,
uncared, framing substitute curtains
condensation-stained, misfit, sad
suggestions of difficult, puzzling lives.

Assumptions lie behind each square,
portraits of those I see but never meet,
and I—new face in an old window—
perhaps ‘that strange lady on her own’.

In the end we all stop looking out,
we have come to carefully pretend
alone or cramped, that we are not
homing pigeons resting in our holes.

2014 © Andie Davidson