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What’s dis for ’ere?

  • Posted on April 6, 2012 at 9:32 am
Even early on in realising that being trans was just the way things were, I never had a problem telling people and trying to explain. For all the rudeness it will never get better unless we also inform.

He wasn’t stupid.
He just misheard in innocence.
I tried to explain my skirt but he stared
at my handbag beside his beer.
What’s dis for, ’ere?
That’s my handbag, I said.
It goes with my gender.
But you’re a bloke, yeah?
Well, yes and no.
(Do I look like one, I mean, really?)
It’s just that when you say man or woman
you leave no space in between.
And that’s where I am.
Yeah, but I could tell,
so why do you do it?

Because it just feels right.
Do you like that t-shirt?
I pointed to the alcoholic brand.
He laughed.
Yeah, that’s why I’m ’ere!
Why am I here?
I sat with him because he jeered.
He wanted friends to know
he was the quick and clever
spotter of trannies on the street.
I could never wear a shirt like that.
Would your girlfriend?
Nah, it’s all flowers and stuff for ’er.
But you wouldn’t mind?
S’pose it would be cool.
And go with her jeans?
Well, yeah, but that’s dif’rent innit?
So we’re all a bit different really
and girls can be boys?
Yeah, but not the other way round,
I mean, it’s, well, girly.

And I don’t feel laddish;
it’s not what’s inside me, so
this is what you see.
Like I said, it’s ‘dys-phor-ia’,
gender dysphoria:
I’m just uncomfortable as a man.
Still don’t understand, mate.
No, he never will.
I take my bag and smile.
Maybe I should have given him a miss.

2011©Andie Davidson

This and other poems on transgender are in my collection from Bramley Press: Realisations.

Losing my touch (I counted on you)

  • Posted on April 4, 2012 at 1:39 pm

the memory of hands
where fingers go
and the gates are barred

a place remembered
past fingers curled
in a mesh of wire diamonds

the space beyond silence where
fingers once danced
with jewels and laughter

if only my hands could call
receiver fingers ringing
all down the hot line to you

only sun on my hands warmer
my fingers number
because the wire is cold

if I let go, step back and
fingers become digits
I shall never count again.

 
2012 © Andie Davidson

Turning the page: life reflected in poetry

  • Posted on March 23, 2012 at 4:19 pm

Little can be as emotional and emotive as gender identity. It’s the heart of being – it’s just that for most of us there is never a question to ask, so never a disturbance. And when it’s someone else we know, we can choose a comfortable distance. I know that some of the very many people I have told will be more comfortable not having to know what being transgender is all about. Like being gay or lesbian. ‘Just get on with it, we’ll leave each other alone, no questions, I don’t need to know.’ So long as there is respect in that, I really don’t mind. After all, in a few years time my new normal will be an old normal, and I will blend back into the scenery. I will have new friends and colleagues who know me no other way. They may never know how I used to be.

Meanwhile there are freshly turned pages.

Over a year ago I began writing poetry again; nothing like stirred emotions to awaken the muse! After a while, I realised it might amount to being a little more than poorly-crafted angst, easing my soul, and started for the first time in my life, to let other people see. I took advice: I wanted to be good at what I was doing, and I had something to say. Through many sessions with Kim Lasky over many months, I learned how to craft poetry out of inspiration, and began telling the stories of perspectives of transgender journeys. As the pile of poetry grew I felt bolder and started to imagine titles of a collection. It was about perspectives, voices, journeys. But in the end my title is Realisations. All along, I was making myself more real, as well as realising things that I’d been blind to, or ignorant of, for over 40 years.

I have written a lot that has nothing to do with this collection, and was immensely gratified in October 2011, to win – at my first appearance, at my first public reading of anything – a poetry slam. My only regret was that I stood up as a man, whilst naming the poem as a woman.

RealisationsToday I turned the last page on the collection, completed my final edits and layout, and sent my final copy and cover design off to print. In a couple of weeks, I shall be in print. It isn’t the end. I’ve already imagined what the title of the sequel might be, and what direction it might take. But the point is, I knew that the collection was complete, and there was nothing more of that part of the journey I wanted to say. As such, the book will be a nice reflection, but maybe of most inspiration or reassurance to those who are following after, still finding their first steps on the ladder of self-recognition and dealing with family, friends, society at large.

And for all the investment, I have moved on. Some of the events and memories feel already old, though no less real. I have closed the book just as readers open it. I hope it will be useful. Most of all, I hope that readers will read the poems several times over, and realise that what I have really done is write some quite deep and concentrated poetry, with a language to intrigue and savour, whatever the subject.

If poetry is not your thing (and it really is not for many people) this will pass you by. For me it’s a small achievement as a writer, and a memoir of a time I shall never have to go through again. What lies ahead may be more difficult still. I shall be writing. If poetry is your thing, I really would like you to buy this beautiful little thing, and understand the heart behind it. If you do, I hope to be able to make a donation from the proceeds to the Clare Project that has sustained me during my first year of real-I-sation.

Trans parent

  • Posted on March 15, 2012 at 4:23 pm

There is nothing so opaque as being
a trans parent. And yet, in familiarity,
they see right through you. Able only to see

in a distance who you were, without
resting on your heart. It’s hard
to understand whether a father left off

caring, understanding or being strong
when somewhere, inside this not-mother
a voice speaks, vulnerable as they.

I shall never pass here, only be different –
as if swallowed, digested, absorbed
by someone uninvited to their home.

I have become thin – a veil on their whole
lifetime, from first blue-eyed recognition
to this struggle with a strangeness.

So thin, so hard to focus on, that I am
deep as an ocean, clear as water, a sea
through which a seahorse passes unseen.

2012 © Andie Davidson

From the new collection Realisations.

Are you a man?!

  • Posted on February 11, 2012 at 6:26 pm

Hey! Mister Transvestite!
Are you a man?!

The small white car, the window wound,
the girlfriend to impress, observance
in the absence of sight or sense – all
wound into the tightness of a mind
so glazed it couldn’t see out of itself.

Not spoken, not enquired,
but shouted – all up the wide unpeopled
traffic-busy street, wounding open summer
windows – while my mind is unconcerned
to even air such self-evidential things.
His, too small to enclose the size of a reply.

The street received his words – so good
at collecting litter, dust, detritus – I thought
to turn and answer; but who? The girl –
does he always behave like this? The man –
yes, I suppose I am a man (if I’m a transvestite)
but a nice one; and you?

The T-word is not a word I like to use – reserved
for self-assurance over a glass, regretted afterwards
because it was said in expectation, in place of
a better term, more understanding, more
politically correct, accepting and descriptive –
but I shall use it. He was a twat.

And if anything hung there in my thoughts,
it was the girl, who saw me at the crossroads
looked again and told ‘her man’. I hoped
she saw two people as themselves: me and him –
saw one with quiet confidence, and another
with his certainties insultingly plain.

The small white car, its windows wound,
diminished having made no mark, except
inside. Two people were slightly changed
that sunny afternoon, after the jokes, the self-
congratulatory jibes, and the transvestite who
made their day – walked away, and defined a man.

2011 © Andie Davidson

From the new collection Realisations.