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This is the hand

  • Posted on April 23, 2012 at 10:51 pm
This poem is reflecting continuity and change, versatility and curiosity, selfhood and identity. Hands that reach out can be held or let go. Our hands are the stories of our lives … This is a Brief History of Mine.

This is the hand
that curled around the enormity
of a finger outstretched in wonder
at my tiny, perfect, nails.

This is the hand
that pointed to nipples in the bath
asking: ‘mummy what are these for?’
no – not for anything.

This is the hand
that stool-high stirred a cake, that sat
gritty, dirty, mixing cement for a wall –
distinguishing neither.

This is the hand
that learned the pen, figure and script,
to describe, shooting high: ‘I know, miss!’
too often to answer.

This is the hand
that dressed a paper doll and made a dart,
that sprayed the scent and built with bricks
high enough to fall.

This is the hand
that curled around my enormity
not knowing what it was for or why,
and was afraid.

This is the hand
that wrote songs, found what it was
to touch another, know resonance,
strike a chord.

This is the hand
that painted pictures with film,
with brush, and the brush of filmy
sensuous things.

This is the hand
that built from wood, that sewed, sawed
ironed, mended with iron – and delved
the stinking drain.

This is the hand
that held a bucket of blood – loved, willed
that everything would be alright again,
but limp with fear.

This is the hand
that held the finger of the boy
as long as my forearm, in wonder
at his tiny perfect nails.

This is the hand
that made cakes into cars and, blackened
with grease, made cars go a little longer
earnings eased.

This is the hand
that every day turned mind into money
and money into memories, memories
into bonds.

This is the hand
that gave you your first orgasm,
breaking out of my closing preserve,
ending its cheat.

This is the hand
instrument of the heart, that curls now
around this new enormity, outstretched
and is empty.

This is the hand
that stirred, that moved, that made –
that unnamed, but always female, has
become inappropriate.

This is the hand.
Discovered.
That waves.
That drowns.

2012 © Andie Davidson

Eostre, I am at one with you

  • Posted on April 6, 2012 at 2:00 pm
Beginning transitioning at Easter seemed symbolic. But which Easter? Lots of allusions to both Easters here, and I felt much more at home in the Easter of the originating name, where nothing of me dies, yet I come to new life. No disrespect to the religious intended, and a certain positive playfulness.

Easter, as old as the realisation of Spring –
that the sun never dies, that ground revives and

March hares box into an Osterhase that bounds
into daffodils, juggling expertly with eggs

boxed, around chocolate indulgences for sins
half-remembered by a half-forgotten Lent –

borrowed Easter symbols for a dying rising Christ
all named for the goddess of fertility and the dawn.

With a passion Eostre calls, new life in her flight
all light and love and no regrets, nothing to forgive.

I follow, as I must – this Friday, Good without dying,
branch and stock holding new blossoms, leaves

proud and high and bright as any ascension,
nothing crossed out or buried, nothing lost in celebration

of simply living, extravagantly becoming, singing
strong, vibrant – all affirmation in her passing over.

For me, this Easter, a man does not die, though
a woman lives with all the joy of Spring

and requires no forgiveness for long Winter –
only smiles of a goddess returning, bringing

colour, completeness, fullness of purpose
not rising from death, but waking, with a sun ready

to make fruit before she departs again to sleep,
and to play with hares, break eggs and share –

take, eat – she says. This is my body, and I am
indulged and free, at one with Eostre.

2012 © Andie Davidson

What’s dis for ’ere?

  • Posted on April 6, 2012 at 9:32 am
Even early on in realising that being trans was just the way things were, I never had a problem telling people and trying to explain. For all the rudeness it will never get better unless we also inform.

He wasn’t stupid.
He just misheard in innocence.
I tried to explain my skirt but he stared
at my handbag beside his beer.
What’s dis for, ’ere?
That’s my handbag, I said.
It goes with my gender.
But you’re a bloke, yeah?
Well, yes and no.
(Do I look like one, I mean, really?)
It’s just that when you say man or woman
you leave no space in between.
And that’s where I am.
Yeah, but I could tell,
so why do you do it?

Because it just feels right.
Do you like that t-shirt?
I pointed to the alcoholic brand.
He laughed.
Yeah, that’s why I’m ’ere!
Why am I here?
I sat with him because he jeered.
He wanted friends to know
he was the quick and clever
spotter of trannies on the street.
I could never wear a shirt like that.
Would your girlfriend?
Nah, it’s all flowers and stuff for ’er.
But you wouldn’t mind?
S’pose it would be cool.
And go with her jeans?
Well, yeah, but that’s dif’rent innit?
So we’re all a bit different really
and girls can be boys?
Yeah, but not the other way round,
I mean, it’s, well, girly.

And I don’t feel laddish;
it’s not what’s inside me, so
this is what you see.
Like I said, it’s ‘dys-phor-ia’,
gender dysphoria:
I’m just uncomfortable as a man.
Still don’t understand, mate.
No, he never will.
I take my bag and smile.
Maybe I should have given him a miss.

2011©Andie Davidson

This and other poems on transgender are in my collection from Bramley Press: Realisations.

Losing my touch (I counted on you)

  • Posted on April 4, 2012 at 1:39 pm

the memory of hands
where fingers go
and the gates are barred

a place remembered
past fingers curled
in a mesh of wire diamonds

the space beyond silence where
fingers once danced
with jewels and laughter

if only my hands could call
receiver fingers ringing
all down the hot line to you

only sun on my hands warmer
my fingers number
because the wire is cold

if I let go, step back and
fingers become digits
I shall never count again.

 
2012 © Andie Davidson

Turning the page: life reflected in poetry

  • Posted on March 23, 2012 at 4:19 pm

Little can be as emotional and emotive as gender identity. It’s the heart of being – it’s just that for most of us there is never a question to ask, so never a disturbance. And when it’s someone else we know, we can choose a comfortable distance. I know that some of the very many people I have told will be more comfortable not having to know what being transgender is all about. Like being gay or lesbian. ‘Just get on with it, we’ll leave each other alone, no questions, I don’t need to know.’ So long as there is respect in that, I really don’t mind. After all, in a few years time my new normal will be an old normal, and I will blend back into the scenery. I will have new friends and colleagues who know me no other way. They may never know how I used to be.

Meanwhile there are freshly turned pages.

Over a year ago I began writing poetry again; nothing like stirred emotions to awaken the muse! After a while, I realised it might amount to being a little more than poorly-crafted angst, easing my soul, and started for the first time in my life, to let other people see. I took advice: I wanted to be good at what I was doing, and I had something to say. Through many sessions with Kim Lasky over many months, I learned how to craft poetry out of inspiration, and began telling the stories of perspectives of transgender journeys. As the pile of poetry grew I felt bolder and started to imagine titles of a collection. It was about perspectives, voices, journeys. But in the end my title is Realisations. All along, I was making myself more real, as well as realising things that I’d been blind to, or ignorant of, for over 40 years.

I have written a lot that has nothing to do with this collection, and was immensely gratified in October 2011, to win – at my first appearance, at my first public reading of anything – a poetry slam. My only regret was that I stood up as a man, whilst naming the poem as a woman.

RealisationsToday I turned the last page on the collection, completed my final edits and layout, and sent my final copy and cover design off to print. In a couple of weeks, I shall be in print. It isn’t the end. I’ve already imagined what the title of the sequel might be, and what direction it might take. But the point is, I knew that the collection was complete, and there was nothing more of that part of the journey I wanted to say. As such, the book will be a nice reflection, but maybe of most inspiration or reassurance to those who are following after, still finding their first steps on the ladder of self-recognition and dealing with family, friends, society at large.

And for all the investment, I have moved on. Some of the events and memories feel already old, though no less real. I have closed the book just as readers open it. I hope it will be useful. Most of all, I hope that readers will read the poems several times over, and realise that what I have really done is write some quite deep and concentrated poetry, with a language to intrigue and savour, whatever the subject.

If poetry is not your thing (and it really is not for many people) this will pass you by. For me it’s a small achievement as a writer, and a memoir of a time I shall never have to go through again. What lies ahead may be more difficult still. I shall be writing. If poetry is your thing, I really would like you to buy this beautiful little thing, and understand the heart behind it. If you do, I hope to be able to make a donation from the proceeds to the Clare Project that has sustained me during my first year of real-I-sation.